"TJ" <***@noneofyour.business> wrote in message news:kqsm4c$bin$***@dont-email.me...
< snip >
Post by TJThe first colorized B&W film I remember seeing was "Miracle On 34th
Street." (Maureen O'Hara, Edmund Gwen, Natalie Wood, 1947) Seeing it in
color was an interesting novelty, but after seeing both versions several
times over the years I can't say color really adds much to the experience.
I watched "Bonanza" on B&W sets the first time around - as I see the
reruns in color I don't enjoy them any more or less than I did then. Same
thing with "Star Trek." And the reruns of B&W TV shows from the 50's and
early 60's are as enjoyable or non-enjoyable now as they were then - but
the lack of color isn't the deciding factor in that.
My first color set was a 14-inch "portable." It weighed a lot, but it had a
handle on top of the case. Therefore, portable.
In 1968, I think color TV's had n-o-t-h-i-n-g that was automatic beyond
degaussing but I was able to tune my set for very nice pictures with a
simple routine:
First, rotating the fine-tuning ring into the "worms," the squigly pattern
caused by too much sound carrier ... and then just back out of the worms.
Second, turning the Color control down all the way and adjusting Brightness
and Contrast for a nice B&W picture. (I believe if a set cannot produce a
nice B&W picture, it cannot produce a nice color picture.)
Third, turning the Color control up too much and adjusting the Tint to make
the faces be a hideous orange.
Fourth, turning the Color control back down until faces looked natural.
This routine usually took about fifteen seconds -- not unreasonable.
The first set I bought that had "automatic everything" was a 35-inch Sony in
1995. It had a synthesized tuner, so no Fine Tune. I set the controls for
Brightness, Contrast, Sharpness, Color and Tint for my preferences during
the first two days and never touched them again until the set was quite old
and I tried to improve its fast-fading picture.
"Sal"